Wednesday, December 10, 2008

Reflections

1. What are your plans as a writer (how do you expect to use writing in your future)?
-I'm not really sure what else I will do. I never considered myself a writer, but I did enjoy the writing I did in this class. I might still want to revise my 3rd essay and I do have an idea for another essay that I'd like to write if I ever have time to do something like that.

2. Describe any changes in your writing style
-This is the first non-fiction that I have written, and therefore, it's hard for me to say how/if i changed my writing style.

3. Describe any changes in your writing process
-The only change I've made is that with these essays I had to go back and look over my work again to refine it. I usually just write, revise while typing, and don't look at it again.

4. Describe any changes in your attitude toward/interest in/understanding of writing in general, and CNF in particular.
-I didn't know much of anything about CNF before. I enjoy writing it, and I'd like to do some more. This class gave me a renewed interest in writing.

5. What have you learned about yourself as a writer?
-I am more of a writer than I ever considered myself to be.

6. What features of your writing do you feel are most important for you to work on?
-I think I need to spend more time going back to my writing and reflecting and reworking things. I have a tendency to write something and then just leave it as it, editing and revising as I type it up. That's probably the most important at this point. Then I would probably work on my writing syle to make it more creative.

Tuesday, December 2, 2008

Publication Venue info

Essay: Say Cheese and Fake It

Publication: Prick of the Spindle (www.prickofthespindle.com)

Subject Matter: Variety of topics. Doesn’t seem to have any particular preferences or associations.

Voice: Reflective, personal narrative

Form and Artistry: segmented, narration, some literary elements, illustration, some include dialogue, combination of story and reflection

Length: no length requirement. Variation in lengths of published essays. In a sampling of the creative nonfiction essays published, I found between 400-3500 word essays, with the majority falling in the 1000-2000 word range.

Audience: Anyone interested in reading both new and more well established authors. This is a very general journal with works that can appeal to a broad audience.

Purpose: “It is the goal of the journal both to recognize new talent and to include those who have one or more feet planted in the writing community; we are simply looking for well-written, interesting pieces which embrace the fabric of diverse voices who have something to say, say it well, and say it originally.”

To Submit: Email pseditor@prickofthespindle.com. Email should indicate the category of work being sent in the subject line of the email, followed by your last name (creative non-fiction submission: Mitchell). Entries should be included as text in the body of the email (no attachments unless advance permission is granted), along with a brief bio. Text must be no smaller than 12 point, and submissions should be formatted to read title first, name, then body. Electronic submissions are encouraged, but postal correspondences can be sent (with a self-addressed, stamped envelope or email address for reply on submissions) to:

Prick of the Spindle
P.O. Box 4087
Fort Polk, LA 71459-1087

Reading Dates: submissions are accepted year-round. Editors are currently reading nonfiction, drama and reviews for Vol. 2.4 (December 23, 2008 issue) and poetry, short stories, novellas and flash fiction for Vol. 3.1

Pay: none

Other Info: Simultaneous submissions are acceptable as long as you notify Prick of the Spindle immediately if your work is accepted elsewhere. You can submit up to five pieces per category (Prick of the Spindle also accepts: poetry, fiction, drama, interviews and reporter-ly articles. They do not publish children’s or young adult fiction, and generally stay away from genre fiction although they might if it is especially well written with a particularly contemporary flavor). Upon acceptance, Prick of the Spindle acquires first (electronic) serial publication rights, after which the copyright reverts to the author. When you submit, you do so with the understanding that your work will be archived on the site. If you have been published within our virtual pages, we ask that you wait a year before submitting again. However, if you submit and your work is rejected, you may continue submitting once per (quarterly) reading period.

Monday, December 1, 2008

Publication Venue

I think I'm going to use Prick of the Spindle for my presentation, just so you guys know... Let me know if any of you (Jenna, Edgar, Matt, Jennifer, Dan) were going to use that one.

Thanks

Sunday, November 23, 2008

essay #4

Say cheese and fake it (Not sure about this title)

They say a picture is worth a thousand words. This may be true, but what about the thousands of other words not represented in that very moment? Where does this leave the moments before and after the camera snaps? Even within that very moment, the human psyche allows us to be in a million different places at once. Hundreds of thoughts, feelings, and ideas can float through our minds just within the few seconds it takes to snap a picture. So where are these in the photograph? Well I guess that depends on who the viewer is. If the person looking at the photo was there, they might have a better idea of what was going on than someone who wasn’t there. Even the person(s) who are in the photo may not remember exactly what was going on in their mind at that point in time, when looking at the photo years or even months after it was taken. Beyond this, how real is it when posing for a picture? We smile for pictures to look happy and like we’re having fun. Is this truly the case? Are we just faking it for the camera? A photograph can be a great reminder of that point in time, but it can also be one big lie that we can make others (and sometimes even ourselves) believe.


I found a picture that was taken of my mother, my brother, and me on a recent vacation to Montego Bay, Jamaica. This particular photograph was taken by a tour guide while we were climbing Dunn’s River Falls. The photo shows the three of us squatting down in the rushing water of the falls, leaning against the rocks on which we were climbing to make it up to the top of the waterfall. We are all smiling in the photo and I look fairly relaxed. What the photo doesn’t show is that the water was freezing cold, I was cranky, and I was NOT in the mood to be climbing up any waterfalls. In addition to this, I was also annoyed because some of the people on the tour were being particularly loud and obnoxious, and as I’m sure you could guess, my mood was not conducive to these people at the time. It was more my mood than the people. I realize that these people were also on vacation and they were having a good time and letting themselves have fun with the tour, unlike myself. I do this to myself often, and it is something I often regret, but I digress.
Upon closer examination of my facial expression, I am smiling, but my eyes tell that I am not entirely comfortable. If you knew me well enough, you’d be able to look at this photo and know that something was not right. All the way up the falls we were stopped periodically to take more posed pictures and do other silly touristy things. Just for the record, none of them made me feel any better. Nonetheless, although I was unhappy throughout, by the time it was over I was thankful and able to acknowledge at that point that this was a good experience and that I was glad I did it. At least I look happier in the pictures than I was in my mind and that I was probable expressing when not posing for a picture.


This reminds me of an incident on a dinner cruise in Mexico. My boyfriend and I went on vacation and decided to go on this dinner cruise to have a nice, relaxing evening on our last night in Mexico. It was pleasant, but we noticed that we were the youngest people on the boat, and the second youngest couple was the newlyweds sitting next to us who must have been at least five to ten years older than us. Interestingly enough, we were between the newlyweds and two sisters and their husbands, all of whom looked to be in their sixties. After a while, someone of the 3 groups of us took out a camera, and the others soon followed suit. Trying to take pictures of ourselves by ourselves didn’t work very well, so now each group was offering to take pictures of the others. One of the older women said she would take a picture of Dan and me. Well after Dan crawled under the table in order to get to my side and sit next to me for the picture, we took a decent picture of us sitting there smiling politely. So the woman says something like, “You guys are too young to be on this cruise. You should be out having fun. I’ll take another picture- this time look like you’re having fun!” Dan thought this was a great idea and threw his arms in the air like he was having a great time on some party boat and I started laughing because of the woman’s comment and Dan’s reaction, and that’s when she snapped the second photo. It turned out to have a completely different feel to it, even though we are in the same place, the same position. It was all a matter of the context.
When comparing these two photos, it is easy to determine that they were taken in the same day and around the same time. If someone who wasn’t there didn’t know the story behind the two pictures, however, they wouldn’t understand why the two are so much different in energy and expressions. The first, calm and subdued, the second, lively and looking more like we’re having fun, just as the photographer wanted. So which of these was a true expression of how we were feeling at the time? Were they both? What’s interesting is that I prefer the first picture, and Dan likes the second one. This, if you knew both of us, is very fitting of our personalities. I am quiet and much more reserved. Dan, though he has his moments of being calm, is often more outgoing, loud, and energetic. In this case, whose story are the pictures telling? Are either of them an accurate depiction of our thoughts and feelings at the moment? It’s hard to say.


I guess the real question here is, if a picture is worth a thousand words, whose words are they? And are these words real or posed? We can be and portray anything we want to once we know that a picture is going to be taken. It is at this point that we have to decide what we want the world to see. Even when we aren’t happy or having fun, we can throw on a smile and trick anyone looking at the picture that we are. There are even times in which looking at photos gives the subject of the photo a different feeling about that time than they actually had in the moment. Photographs allow us to look back on some of the best times of our lives and relive cherished memories in an instant. We can choose to be actors on film, portraying a certain character in whatever circumstance the photo is being taken. Although there are usually ways to see through the mask put on for the camera, knowing the story behind the photos can open up a whole new world of implications, ideas, and vocabulary to use in the thousand words represented within that picture.

Wednesday, November 19, 2008

blog 18

Like everyone said in the comments of my last blog, I am going to take one picture, describe it, and then go on to describe the story behind it- the things you wouldnt know from just looking at the picture itself. (I don't know what picture I'm going to use yet though...)

My reflections from there are going to be about why we take certain pictures and why we choose to leave some things out, as well as how this background information can change someone's perception of the photograph.

Hopefully I'll be able to find the time to write into all of this. Ha..

Monday, November 17, 2008

blog #16

for my 4th essay I think I'm going to write about photographs, and why we choose to take pictures of certain things and leave out others. The story behind the pictures is also important. You can show someone a photograph of that one moment, but having been there, you (and whoever else was there) know exactly what was going on at that time-- what the context of the photo was. I think I'm going to try to work on that.

I'm not exactly sure how I'm going to do it yet, but that's where I am at this point....

Thursday, November 13, 2008

essay #3

(I can't think of a good title, and I don't know why the font isn't formatting right. sorry)

Love, Loyalty, and Friendship. Isn’t that what any good relationship should consist of?

Wildwood/ Cape May, NJ summer 2005

Despite my being sick, we were having a great time in Wildwood, duct taping cheerios boxes to the refrigerator in the “Pier 666”, and bouncing back and forth between hotel, beach, boardwalk, and the local Wawa. Toward the end of our trip, Danielle, Kevin, Strauss, Dan, and I decided to drive over the bridge to go on a whale/dolphin-watching cruise, and then check out the shops and whatever else we could find to do in Cape May.

After the dolphin watching was over, we drove further into town and happened upon a small shopping center with several shops selling random trinkets and souvenirs. In one shop, there was an array of sterling silver jewelry on display, and I was in the market for a new ring. Amongst the inventory, I found two rings that I liked, one, a heart with small grayish, greenish stones, and the other, a plain, silver Claddagh ring. Though I didn’t really know the meaning or significance of a Claddagh ring, I knew it had something to do with the Irish, I liked it, it fit, and I am Irish – a fact that I felt entitled me to wear the ring, even though by looking at me you probably wouldn’t know that I am partially Irish. So I purchased both rings, and wore them for the next two years. After leaving Wildwood with my friends, it occurred to me at some point that maybe I should do some research, and figure out exactly what this ring on my finger meant.

Home/Ireland summer 2005/17th century

From what I gathered, there are a few different legends about the origins of the Claddagh symbol. The most common one that I found is about a man named Richard Joyce from the Irish village of Claddagh. Supposedly, he created this symbol in the 17th century while working with a goldsmith in the Mediterranean after being kidnapped and sold by pirates on a voyage to the Caribbean. It is said that he returned to Ireland in 1689, and it turns out that the woman whom Joyce was courting before the trip was still waiting faithfully for the return of her true love. At this point, Joyce gave her the ring as a symbol of their love: The hands representing their friendship, the crown to symbolize their loyalty and lasting fidelity, and the heart signifying their eternal love for each other. Since the 17th century, the Claddagh has come to be a symbol of love, loyalty, friendship, and fidelity worldwide.

The next thing I needed to figure out was how to wear the ring, since the placement of it indicates different levels of involvement. To wear the ring on the right hand with the top of the crown and heart facing toward the fingertips means that the wearer is still considering love. This is more a symbol of friendship or love that it still blooming, and not quite to the next level yet. When worn on the right hand with the top of the crown and heart facing toward the wrist, this signifies that the wearer’s heart is taken. Someone who is engaged would wear a Claddagh ring this way. Finally, if worn on the left hand with the top of the crown and heart facing inward, toward the wrist, this means that the wearer is married. Traditionally, both men and women wear the Claddagh ring as their wedding ring to represent their love and devotion to each other.

“Okay, that’s a cute story. I can see that”, I thought. So I stuck the ring on my right hand, crown and heart facing out toward my fingertips, and work it for the next 2 years.

New Haven, CT November 2007

It was the weekend before Thanksgiving, and Dan and I were on our way up to New Haven. My brother goes to school up there, so we were going up to watch him play rugby, and just enjoy a nice, relaxing weekend away. In addition to the game, we had also planned to do some shopping and visit a few museums in downtown New Haven, and then my brother was going to come back home with us for his Thanksgiving break.

When we finally got to our hotel after hours of sitting in traffic, Dan and I got settled and then decided to head into town to see what we could find. After finding our way to the downtown area, walking around in various stores for a while, and eating a nice dinner, we went back to the hotel to rest up so we could get up early for the game the next morning.

The next morning we got up at a time that felt way too early thanks to the uncomfortable sprits of sleep we were able to salvage from the lovely hotel bed. When I asked my brother the day before the name of the rugby field and how to get there, his reply was, “ I don’t know, I just get on the bus with the rest of the team. Look at the website. They have a map on there.” This is a typical response from my brother. Though he is extremely intelligent, his common sense skills and alertness to the world around him is often lacking, to say the least. Needless to say, even with the picture of a map on the website which shows a big red rectangle as the field, covering the already blurry street names in a place I have never been to before, Dan and I got lost and did not make it in time to see my brother’s game. Rather than wasting the day being upset, we decided to move on to the other things we had planned to do in New Haven. After some more shopping, going to the Peabody Museum, and eating lunch, we drove back toward my brother’s dorm, parked in a parking garage, and went into some nearby shops while waiting for my brother to get back.

After waiting about an hour and a half, my brother finally called to say that he was on his way back to his dorm. Upon hearing this, Dan and I went back toward the car to wait. Well, after waiting for what felt like two hours, I called my brother to find out what was going on. As it turns out, he didn’t think to pack ahead of time to come home for a week anyway, so even though he still wasn’t back yet, I found out that he wasn’t ready to go anyway (Dan and I had been ready to leave for an hour already). Although I should have anticipated this from my brother, I didn’t, and now Dan was cranky because he was tired of waiting and tired in general from not sleeping well the night before. This, in turn, started an argument, and then I was upset and cranky too. We didn’t speak for a while, and then we both just got over it and decided to walk to the dorms in hopes of speeding up the packing process.

It was at this point that we found the small Irish shop across the street from the parking garage. I had stopped wearing my Claddagh ring from Cape May a while before, and Dan kept saying that he wanted to buy me a new one. When we saw the shop, we went in to see if there was anything we liked (and because we needed to waste some time).

There it was in the showcase. A pretty Claddagh ring that was exactly what I wanted. Sterling silver with an emerald colored stone for the heart and decorative diamond-y looking stones on the sides of the hands. It was prefect, and it fit. Within minutes I had spotted it, tried it on, it was purchased, and soon after being placed in the bag, it was on my ring finger. Now we were both happy. Me, because I had the ring I wanted, him because I was happy and because he was finally able to get me the perfect Claddagh ring. Even better, by this time my brother was just about ready to go, and we just had to meet him at his dorm to help carry his things up the street to my car. Shortly thereafter, we were back in traffic again, on our way back home to New Jersey.

Home November 2008

Looking back on the time that has passed from Wildwood in 2005 to today, it’s funny how much some things have changed, but others have stayed the same. The other couple that Dan and I went to Wildwood with are no longer together, and we see them only occasionally whereas back in 2005, it was almost everyday. Strauss is still around, but he is a completely different person now than he was back then. Dan and I are still together, though. Our relationship has changed, had its ups and downs, but so far, we have endured them all. At this point we are pushing forward, and who knows, maybe some day I will wear the ring with the crown and heart pointed toward my wrist instead of my fingertips.

The significance of the Claddagh ring goes deeper than just a nice gift. Symbolically, it makes lots of sense. Love, loyalty, and friendship. That’s fitting. We are each other’s best friend, and we certainly have love and loyalty between us. Even when we fight, it’s still there.

Dan and I both also come from partially Irish backgrounds. Although my family doesn’t really hold any Irish traditions or really display the heritage, it is there. Dan’s family is much more into their Irish heritage, and I feel that this is kind of a link between us. It’s nice to have a link to your heritage. Not only is my ring a link to our Irish heritage, but it is also a constant reminder of our relationship and the years we have been together.

Though I didn’t really know the significance of the Claddagh ring when I first bought it three and a half years ago, it turns out that it has meant a lot more to me than I was ever truly conscious of before sitting down thinking about it to write this essay. It is a symbol of the past, present, and future. Love, loyalty, and friendship. This little ring represents ideas far greater than one may realize upon looking at it, whether they knew the meaning or not.

Love, loyalty, and friendship. What more could you need?

Sunday, November 9, 2008

blog 15

Places that are/were important to me

-my old house
-my grandma's house
-my house now
-schools
-friend's houses

I went back to where my old house is... it still looks pretty much the same. nothing has changed except the people. and they have a different door than we did. besides that, nothing much to note... These person/place/object blogs and journal entries really aren't working for me..

Tuesday, November 4, 2008

Blog #14

For essay #3 I'm going to use my write about my claddagh ring.

It's going to be set into 3 or 4 segments based on places. (Wildwood/Cape May NJ, New Haven CT, Ireland, and possibly home.)

From this ring, I'm going to discuss relationships and heritage (to an extent)

ummm yeah I don't know what else to write for this post. I know the basic outline of my essay and where I think I want it to go, but that might change once I sit down and start writing. I only got to the first 2 sentences so far hahaha It's been a long day...

Thursday, October 30, 2008

blog 13

plain black short sleeved t-shirt
sort of tight black jeans (fading)
brown belt with gold buckle
black hat with small NJ logo toward left side of hat
black vans sneakers wit hwhite shoelaces, white detailing, and white rubber on front and sides of shoe

Wednesday, October 29, 2008

Blog 12

Hmm so many photographs to choose from!

I guess I'll write about a picture of the 5 children I met in Jamaica on vacation this past summer. One of the tours we went on took us to different places in Jamaica to learn about its history and culture. We wound up going to Mt. Olive Basic School (this was a Saturday in the last 2 weeks of school being in session, mind you), and these 5 kids gave up their Saturday afternoon to come sing and dance for us and show us around the school a little bit with a teacher at the school. They were so cute! My mom had a little keychain that looked like a mini cell phone that was really just a clock, hanging from the outside of her purse. These children were fascinated by this silly little clock. All of them wanted to look at it up close for some reason. It was kind of funny.

Looking back at this picture, I wonder how these kids are doing in their studies, as well as in life in general. I wonder how all of the students at the school are doing and if they have enough supplies to teach the kids all that they deserve to be learning. During our tour, the teacher that was there gave us a piece of paper with the name, address, email, etc. for the school and told us about how even in this school (which is for children ages 3-6), the parents have to pay for everything, and many of them do not have enough money to fulfill this obligation.

Although we gave a donation to the school, I still wish that we had known that we weren't going to need the extra money I had on me (we thought we would need it for transportation back to the hotel.. we didn't.) so that we could have given each of these kids that took the time to come entertain us a little extra money, just for them. It still bothers me to this day that we didn't...
And yes, I will be sending them some school supplies and things that could be used in a classroom for children between the ages of 3 and 6. Maybe that will make me feel better about not having given those children something. Maybe I can throw in something special for those 5 kids that we will never forget.

Sunday, October 26, 2008

blog 11

Object #1:

During the last week of the Spring semester of '08, I had to take an extended lunch hour to go to the school where I did my junior field experience. They had a nice farewell luncheon for us with an array of food and drinks, as well as speeches by the supervisor, teachers, the vice principal, and others whom we had worked with. Toward the end of the luncheon, each of the 6 of us who had performed our field work in this school were given a gift bag and a card. At first I didn't open my gift bag because I didn't want to be rude. I finally did open it, though, while I was walking out of the building. I quickly sifted through the tissue paper and opened the end of a box that lay inside. There was a picture frame in this box, and I remember thinking it was kind of strange that they would give us a picture frame. I also remember thinking that it was pretty ugly. So after I figured out what it was I closed the box, and didn't look at it again until I got home later that night. When I went to show my mom what we got (because I put the gift bag on the table when I walked in the door, and she asked what it was), I opened the box, and took the picture frame out completely. It was at this point that I realized WHY they had given us a picture frame. It was not just an empty picture frame, it was a picture frame (still an ugly one..) with a picture of one of the classes I had been teaching once a week, all semester. Once I saw that, it all made sense, and what started as a confusing gift was instantly a sentimental one. In the 15 weeks I spent with those 7th graders, I really grew to enjoy them, and it is nice to have a reminder of that experience and of some of the students I spent my Wednesdays with.


Object #2:

A (still unopened) box of Rubbermaid containers. Last year I couldn't think of anything to buy my mother for her birthday, nor did I really have much extra money TO buy something. So I got creative, and instead of buying something, I decided that I was going to take her to New York to a taping of the Montel William's show. (the tickets were free, and she likes Montel. It all made sense!) So as it turned out, I wasn't able to get tickets to any of the Sylvia Brown days, but it was still interesting to go because neither of us had ever seen a tv show taping before. The studio is MUCH smaller than either of us thought. Anyway, so the show we wound up going to was one that Monel was giving away all kinds of prizes and random things. One of the things we got was a coupon for a free box of these Rubbermaid containers. We didn't win anything that wasn't gven to all the audience members, but we did try coconut water (which was nasty), got a book that was written by one of the guests, and were told we were going to get a copy Monel's new book in the mail (still haven't seen that one). Although I still havent opened the Rubbermaid box, or the book we got, it was still a nice day out and a pretty good birthday present for my mom. =)

Tuesday, October 21, 2008

Blog 10

I don't know which essay I want to revise. Part of me wants to revise both, and part of me feels like neither is really worth while to anyone but me. I guess because the two essays have so many similarities it is hard for me to pick one over the other. Both are equally important to me, and I like both of them. On the other hand, I don't know that either would reach a broad audience or that either is particularly worthy of things bigger than this blog.

I have more ideas of ways to revise the second essay than the first (some information I can add, things I can make a bit better,etc.), but that doesn't necessarily mean that's the one I want to focus on..

I guess I need to read them both again, one after another, and see what evokes the most creativity, emotion, and interest in me. I don't know how else to choose.

If anyone feels like reading them and giving me some input on which one is of more interest to an audience/which one you would like to see revised, that would be much appreciated and taken into great consideration.

Sunday, October 19, 2008

Essay #2

Have you ever smelled something in the air, random yet familiar, that set your mind into a whirlwind of memories, comfort, and calm? This is what happens to me occasionally. There are times, albeit few and far between, that I smell the sweet scent of my aunt’s perfume. Although sitting here, now, I cannot smell it, nor could I accurately describe the smell on paper or in my mind, but when this smell does come around me, I can identify it in an instant.


My aunt, affectionately known as Auntie Ellena, is one relative that I was ALWAYS excited to see. Not just because she always brought us gifts from abroad, but also because she represents a different side of my family that, regretfully, I never got to see or identify with as much as I would like to. She represents a different culture, and a different way of life than I am used to.
I always looked up to my Auntie Ellena. She was a wonderfully warm-hearted, jovial, genuine, and loving individual with such a distinct smell, I could easily pick it out in a crowd. Her personality was unmatchable. My aunt would come to America from Trinidad and spend what seemed like a million dollars to my young eyes and mind in local stores to buy toys, party decorations and supplies, games, anything se could get to put a smile on the faces of the children she was bringing these items back home to.
You might think, by this description, that my aunt had small children back home, or maybe that she was a teacher, stocking her classroom full of things needed to make any child enjoy school. Well, although I found out fairly recently that she did teach for a time, neither of these were actually the case when my Auntie Ellena was in the country shopping with me. She was an attorney in Trinidad, and a true humanitarian and philanthropist. Though she had no children of her own, there were many children who I can only imagine loved her as if she were a close blood relative. Between the partied she hosted at the local orphanage, or the child from Grenada that she supported (to whom most of the aforementioned items were split between), my Auntie Ellena, who once said that she was not intended to be a mother, but rather, to be Auntie, certainly had no lack of maternal love for children in general. Maybe that’s why my parents chose to make her the Godmother to their first born, otherwise known as, me. I loved my Auntie Ellena so much, and I was always so happy when I found out she would be making the trip up to the states. She was so much fun to spend time with, and I can remember sitting with her for hours in the extra bedroom across the hall from my own bedroom. There came a point where I had not seen her in several years. I missed her dearly, and was hoping that she would come up again soon, or that I could go down to her house in Trinidad to visit with her, my grandmother, and my other aunt on my dad’s side. Eventually, I found out that she was sick. Shortly after I found this out, in a matter of 2-3 months, she was gone. My Auntie Ellena died of cancer on September 8, 2005. Although I never got to say goodbye out loud, since her death, I have begun smelling her perfume randomly from time to time, and each time the smell comes to me, I get the same calm, contented feeling, and the same comforted smile appears on my face each time.


Similarly to when I smell my aunt’s perfume, feathers have a similar effect on me. Though these are very common objects, they have taken on a much more complex and sentimental meaning for me.
When my grandfather was in his last days, my mother had a conversation with him that ended with her asking him to send a sign every once in a while. Feathers came to be the chosen item. I guess she needed something to console her and let her know that he was still around and watching over her. Since then, this feather connection has extended to me as well. There have been several occasions on which feathers wind up in strange places, at strange times, and seemingly (to us at least) with symbolic meaning. For example, on the way to my grandfather’s funeral, a gust of wind came and a pile of several feathers swirled up into the atmosphere directly in front of us. There were no birds around at the time, and unless someone sat there plucking a bird to bits, I can’t think of any logical explanation of why there would be so many feathers in any given spot. Another time I felt that my grandfather sent me this kind of sign was when I was car shopping. I had been looking around for a while at different cars, and I finally narrowed it down to 3 different vehicles. I decided to take a test drive of the last one of these three, and at that point there was nothing, yet by the time I closed the door after the drive, there was a small gray feather lodged in between the windowpane and the rubber piece that connects to the door where the window sits. Needless to say, that’s the car I went home with.


I know that these things that I am calling signs and symbols may be far fetched to some, and to be honest, I sometimes wonder about it myself. Is it coincidence or reality? Am I just looked for these patters, or are they just appearing before me, truly signifying some otherworldly meaning? Well, although my scientific self wants proof, my spiritual self believes I already have my answer. I can’t force myself to remember the smell of my aunt’s perfume on command, and even though I hate birds and preset not to be around them, I find it hard to believe that there is any way so many feathers would accumulate in one spot, in front of our car on the day of my grandfather’s funeral. I guess maybe these could be argued as coincidence, but I have resolved myself to believe in the spiritual and emotional significance they bring to me. Maybe this is all we can do to cope with the death of loved ones. We hold on to what we need to, make the associations we need to, remember and feel what we need to in order to come to terms with death. Maybe this is all we can do to console ourselves and realize that life goes on, and that we have to keep going until it is our time to join those people who have passed. Maybe it doesn’t matter how we deal with death, but just that we deal with it. That we find some inner strength that makes it possible for us to remember the good times, forgive and forget the bad, and resolved to adapt to this new world that is less one human being who has touched our hearts in one way or another. Feeling that my relatives are around me, and believing that they are still watching over me and sending their love is what works for me. Maybe it’s not this way for everyone, but what matters is that we all find our own way, and grow to be stronger people from the experience of loss and recovery.

Wednesday, October 15, 2008

in class blog

Maybe you could give me some more suggestions about how to tell the stories-what aspects you would like to see emphasized and focused on.

Also, maybe you could give me some suggestions about segmenting this essay. So far I have a segment for each part of the story (smell of my aunt's perfume - feathers from my grandfather - coins?[not sure if I'm going to keep this part in or not] - reflection on reality vs. coincidence - reflection on how these affect me and what they mean to me. Does this seem like it will work well or is there some way you can suggest for me to improve on this?

Any general comments would help at this point.

Thanks =)

Sunday, October 12, 2008

2nd essay experience/reflections

The topic for this essay came from the smells that evoke feelings journal entry. In this entry I began writing into the smell of my aunt's perfume, and that kind of branched out into other "signs" I feel like I get from family members who have died (like my aunt). So I guess I'll just type up what I wrote in my journal and go from there.

Essentially, I said:
The smell of my aunt's perfume will randomly come to me, often when there is no one around, and it is comforting because I feel like she is watching over me, even though she is not physically present.

It is things like this that make me smile and bring on a sense of calm in me.

Similarly, although I'm not entirely sure what the backstory is, feathers have come to represent my grandfather since the day of his wake. Now, when feathers appear, that also evokes similar feelings in me. Thats how I ultimately resolved myself that I was making the right decision in purchasing my new car. As I closed the door after my test drive, there was a small feather in the space between the window and the rubber lip attached to the door frame. I felt that was a sign from him that this was the right car for me.

Coins are another thing that show up in odd places and times. Nickels and dimes will be found in piles on my front porch, a nickel fell from the top of my brother's bag as he was getting ready to board the train to school, a dime fell from my coat as I went to put it on recently (I had no change in the coat or on my bed where the coat had been), etc.

The dilemma with this things is that sometimes I wonder if these are truly signs of the presence of loved ones, or if they're just coincidences. I know they say that if you're looking for a specific number or pattern, you'll see it everywhere. Is this a case similar to that, or is it real? I guess it all depends on what you believe.

I also think that I am able to take such comfort in these things partially because I didn't get to know my relatives as well as I would have liked to in life, and some I didn't even get to see very often. I regret these things, in retrospect, and I now realize how much I took/take time for granted. I almost feel closer to these people in their passing than in life because of these things that I take to be signs that they are still around me, and because I feel as though I can think about them or talk about them and know that they are there in some way. Maybe I am comforted by these signs because I don't have that many memories with some of them, and this is my way of keeping them in my life and memorializing them. I replace their physical presence with things that have come to represent them in some way or another...

This is what I am going to focus my essay on. Going through the symbols, examples, background of the person/how that came to be associated with them, and reflections of why it is important to me, the questions I have associated with it, and the issue of coincidence vs. reality(?).

Tuesday, October 7, 2008

Blog 9(?)

Writing this essay was an interesting experience for me. I never really thought very in-depth about what happened that day or how I felt until this assignment came up. I know that it had a huge impact on me and that my aunt's passing truly shaped my thoughts and beliefs about death. It also was a springboard into the sense of spirituality that I feel I now possess.

Some things that went well for me with this essay are:
-Once I got started, it was easy to write about the experience
-It got my to look back at this time and really examine what happened and why
-It got me to reflect on the deaths that have affected me since her passing and how these have also shaped me, as well as how I may have felt if any of these were the first I had experienced instead of the death of my aunt, given the situation and her history.

Some things that were hard:
-Debating whether this was following the definition of CNF properly or not
-Recalling exact conversations, and deciding whether to include what I think was said, but that I am not sure of or not (I chose to leave it out.)
-Starting the story was kind of difficult for me since I am not a writer (other than papers for classes) and I don't think I've written a story since elementary school
-Debating whether or not anyone would ever want to read this or if it was just too boring and too personal to be worthwhile for anyone but those affected
-Writing the reflections and trying to figure out exactly how I wanted to word my thoughts and feelings ( This is something I think I still need to work on)


I think for my next essay, I am going to focus again on the deaths of loved ones (what a theme I've got going here..) but this one is coming from our freewriting on smells (I promise, it's not as weird as that may sound...) This essay is going to repeat some themes from essay #1, but it is taken from a different angle- focusing on all of my relatives that have passed instead of just one, and on the things that remind me of them or make me feel like that are watching over me. Hopefully this will be easier for me to get started on now that I kind of have the hang of writing a CNF piece, and by that point I will have had some help from Dr. Chandler and suggestions from the comments on my first essay.

Friday, October 3, 2008

Essay #1

For Adrianna

The phone rings.
“Hello?”
Although I can only hear one side of the conversation, I know it must be bad news on the other end of this brief dialogue. I could tell as soon as I saw my grandmother’s usually jovial face turn to one of grief and seriousness.
The tone shifts immediately from lighthearted family dinner banter to grace concern. As the conversation continues from one side of the telephone line, all eyes shift questioningly around the table.
“Okay… I’ll be there as soon as I can.”
The phone hits the receiver.
“Lois, we have to go to the hospital.”
Concern turns to dread. Frantically searching the faces of my family for some idea, some affirmation of what has just transpired. I don’t get anything back but quiet, glassy eyed looks of the same questions as I was hoping to find the answers to.
As my mother and grandmother abruptly leave the dinner table that had, just minutes before, been filled with laughter and enthusiastic chatter, and sullenly get together shoes and purses, and coats, and paperwork, I had a gut wrenching fear of what was happening.
It couldn’t be, could it? She can’t be dead… I couldn’t handle that. Not yet.
But what else could it be?
As the questions and emotions continue to flood through my mind. I quietly excuse myself from the table and feel my steps inadvertently quickening to the bathroom. Just as soon as the door closes behind me, the thoughts and emotions formerly flooding my mind began pouring out through my eyes. I accepted my own fears. She’s gone.


So this was it. That was the first time in my life that I had ever been affected by a death in the family. Although I had known of other family members that died, it was never anyone that I saw regularly or felt any particular bond with. Although we called her “Aunt Annie”, she was actually my great aunt Adrianna. She was a great aunt. Her child-like outlook kept her young, and we all knew and loved her for that.
Quite frankly, I didn’t know how to feel about this situation. I wasn’t sure that she had died, but at the same time, regardless of whether she did or not, this incident brought death into the forefront of my mind, at least for the moment. It was at this point that I really started thinking about life and death. Quality of life versus release of death. It is a delicate line that we, as human beings with feelings and memories and emotions, often jump back and forth over. She’s out of pain, but now she’s gone. She could have lived longer, but would she be happy? Would it matter to her? These are the kinds of questions I found myself asking and the types of themes I began to explore. This was just the beginning.


The front door squeaks as it opens, and I prepare myself for confirmation of the news I have already resolved myself to. In the blur of voices and sobs, all I heard; all I needed to hear was, “I had them pull the plug…It’s for the best. It’s what she wanted…” The rest of the day that had started out as normal and routine was now covered by a big black cloud of silence, tears, and avoided, empty glances.
“It’s for the best.”
“It’s what she wanted.”
As much as I believe these statements are more that likely true, it’s hard to accept the crushing weight of their impact on me. On us. Was this really for the best? Maybe she could have gotten better and returned to that dinner table to share more cheerful meals with us. I can’t even imagine how my grandmother must feel. Making such a huge decision that comes down to life changing for all of us, and life of death for my aunt, my grandmother’s closest sister. The pain this decisions must have caused her is incomprehensible. My grandmother is such a strong person. If anyone can handle this kind of a situation with a clear head and with someone else’s best interest in mind, without letting personal desires influence the decision, it’s her.
But on the other hand, how can anyone know for sure what’s best and what she wanted in this situation? Sure, there’s been times where she said that she wanted to die, but we all say things we don’t really mean in times of stress. And she really didn’t look good for the past few weeks, and has been getting progressively worse, but you never know... maybe she could have recovered. It’s also been scary how she has been seeing and hearing people and animals that weren’t there. I know they say that happens when a person is close to death, but maybe she was just having really intense and real-seeming dreams, or confusing sounds and sights of the hospital for things more familiar in her declining state… Or maybe I’m just trying to hold onto Aunt Annie as she once was; a fun, funny, loving woman. Always bringing laughs and warm feelings to the room.
On the other hand it’s also true that she was a lonely woman who lived alone, had never been married, had no children, and didn’t really have much of anyone else in her life aside from those of us who were sitting around that big, oak dinner table in the middle of a kitchen filled with lobe, memories, and now, sadness. Maybe she did really mean it when she said she wanted to die. Maybe there was a lot more to the story that the little snippets I overheard when they didn’t think I was listening. I’m sure my grandmother had good reason for deciding that it was time to let go the of closest sibling she had left, and the closest relative I had ever lost. At a time like this, who knows what’s best and what anyone wanted and what was the best decision. I guess that’s a question no one can ever get an answer to.


Ultimately, after debating these questions and more, I came to terms with the death of loved ones. In this situation, I felt that it was for the better, and that now my aunt can be happy and healthy in a place far better than Earth. Where before I didn’t think much about death at all, I now had a comforted feeling about it in this circumstance. It all just hit me one day. I was sitting in the car, coming home one night, looking up at the stars. All of the sudden, I just felt at peace with my aunt’s passing. I discovered that although death is sad for the living, the dead are smiling. No more pain, no more loneliness, no more unhappiness. At this point I truly began to believe that all things happen for a reason and that everyone has a particular time to go. It is still had to accept at first, but I can look up at the stars and remember those that have been lost and feel at ease. There is a certain beauty to death. There really is a light at the end of the tunnel.
I was never a religious person. Going through this experience opened me up to a sense of spirituality that I had never before given much though to. I was at an age where I could understand things better and contemplate the meaning of things much more complicated than I ever had to deal with before. Now, with the death of my aunt, I was in an introspective mode as it was, and given the subject matter, I began to switch my thoughts from life and death, to death and afterlife. It was at this point that I started to wonder about whether or not there was a God, and what the role of any higher power truly was. Today, I still am not sure what I feel about these questions, but I do believe that things happen for a reason, and that when someone dies, they do live on in some form of afterlife. Where or what that is, I don’t know, but the death of my aunt allowed me to begin to explore these ideas and feel a comfort in knowing that there are passed loved ones watching over me from a better place until it is my time to join them in eternal peace.


Walking into the funeral parlor, I no longer felt particularly sad about the death. I had resolved myself to what had happened in the past few days, and I had come to accept that she is in a better place. At this point, I just feel nervous. I’ve never been to a wake before, nevermind a wake for one of my top 3 favorite relatives. I stay back in the beginning, trying to build up the courage to go and face the remains of someone I had been so familiar with. It’s almost as if seeing her in the casket would cement that she will never again make a physical appearance at my grandparent’s dinner table. That we would no longer have anyone to give the stuffed animals won at the boardwalk to. That no one would take about their birthday or Christmas for at least a month in advance. That the memories would never be reiterated the same way, and that I would never again hear her voice or her little girlish giggle.
On my own, I couldn’t bear to go up to the casket and deal with all of this. After a while, my uncle took me by the hand, pulling me out of my own thoughts which I had been lost in up until I felt him touch my hand, and up to the front of the room. Of course he didn’t know my reservations about seeing my dear great aunt lying in a box of eternal rest, but since I hadn’t said a word since I got there, but I guess he felt obligated to accompany me, and before me, my brother, to say our final goodbyes. After that initial push to go up, my nervousness turned into a feeling of obligation. By this point, I didn’t feel that I needed to go up to the casket. I felt that whatever I felt I needed to say to or about my aunt, I could just say in my head, and she would hear me. I went up with my uncle anyway. The walk from the back of the small room up and around the far left side, past rows and rows of chairs waiting for mourners to rest and reminisce seemed like it took forever. When finally I arrived and kneeled in front of the person I knew was supposed to be my Aunt Annie, I saw someone I didn’t recognize. It vaguely resembled the person whom I had been missing in her seat, next to me at the end of the dinner table for the past few weeks, but it was not her. I couldn’t pinpoint what was wrong with the person I saw before me, but I attributed this confusing to emotions, nervousness, apprehension, and denial, and kneeled with my mind blank until my uncle saw it fit to get up and proceed back to my previous spot in the back of the room.
After this step was over, I felt relieved that I would not be expected to go up again, and if asked if I had paid my final respects, I could say yes. For the remainder of the time I was there, most was spent lost back in the whirling thoughts in my head, taking occasional breaks to see what was going on in the reality happening around me. During these times, I would catch clips of conversation, glimpses at the body being passed off, seemingly successfully, as that of my great aunt, and looking at the other people in the room, trying to read their reactions to the body in the casket. Finally, after what feels like a lifetime, the wake is over and people are filing out. As the doors closed to the room where my aunt lay, I realized that, symbolically, the casket had just been closed on the part of my life where I had a true innocence and naïveté regarding the death of a loved one.


Eventually I did realize what looked so wrong about my aunt that day, lying in her casket. It was all cosmetic. Her hair was done wrong, she always wore it with bangs covering her forehead. Whoever prepared her for the viewing combed her bangs back and off of her face. Also, she wasn’t wearing the necklace that we had given her years before. Although it said “#1 Aunt”, I always thought it looked like a dinosaur because of the big #1 and the smaller, vertically placed “aunt”. In life, she never took that necklace off. In death, this detail was overlooked. Today, that necklace lies safely in a box in my room, together with the memorial cards of loved ones since passed, and other relics of times gone by.
Upon realizing what it was that made my aunt seem so foreign in the casket, I got deeper into my spiritual reaction to death. I came to believe that in life, the body is a vehicle for the soul, the true personality underneath. In death, the body is unnecessary, and completely irrelevant. Although still, to this day, I don’t know where I think people go when they die, I still feel that I can take comfort in knowing that they are watching over me. When something reminds me of my aunt- a sound, a smell, a song, a toy, a memory, I smile. Whenever I am confronted with one of these things, or have a strange feeling of the presence of dead loved ones, I always take the time to say hello in my heart and in my mind, and with that, I feel comforted, and know that although they are gone in the physical body, they will be with me always in spirit. It is still sad when someone close to me dies, but now I know that they will be okay and that they will come to visit me when the time is right. Although the physical body may be deceased, the soul will move on, and the spirit is still full of life, and that, I believe, is the beauty in the face of death.

Monday, September 29, 2008

Blog #7- O'Brien

I think that the truth in this story is that it could have been anything or anyone. It's not necessarily the who or how or what's in a war story, it's the experiences and the wholeness of the group that hold the truth. The truth of war is that it is unpredictable, and beautiful, and horrible, and a million other contradictions. As O'Brien says, "To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life." The truth of war is that it isn't a nice, clean, cut and dry story. The lines are all blurred.

Even though coming up with a definition of "truth" this story (and in war) is impossible, and even though one can't really make a distinction of whether or not the story is entirely or at all true (most likely, even the people who lived through the experience can't tell what parts of their story are true or not, if in fact the story was meant to be true), the "truth" this story is valuable because it delves into the psyche of human beings under these types of situations. It is human nature to repress traumatic experiences. Therefore, is it truly possible for a soldier to tell his or her story in it's entirety with 100% truth? I would find it hard to believe if someone claimed that they could/had/are. Either way, the truths that do come out of it, and the realizations brought on by war are important and are telling.

It is hard to decipher a true war story from one that is fiction. The more I think about it, the more skeptical I become that this story is true. I also don't think that it matters for this story. And although I'm not sure if the story within the essay is fact or fiction, I would still classify this essay as a whole as creative nonfiction because of the circling and the searching for the true meaning. As with "Alive" and "Westbury Court", it's almost like this war story is just the vehicle driving the true point of the essay. Whether this story is true or not isn't the point. The point is (I think...) that that truth in a war story is not about names and places, it is about feelings and experiences, it is about everything and nothing all at once, depending on the connections the reader(listener) has with the subject matter and the ways in which each individual reacts to what is being told.

I'm not sure. There's too much going on here for me to feel certain about my interpretations, but this is my story and I'm sticking with it.

Tuesday, September 23, 2008

#5 "Alive" and "Westbury Court"

"Alive"
I think the main point of this essay is that no matter what kind of training or sharp wit one possesses, even having been a former police officer, she, and everyone else in the world, is still susceptible to others, “simply because I am alive”. This goes through the whole frightening story of this woman’s experience with a suspected stalker to convey this idea. Despite the fact that she was a cop, despite the fact that she took precautions, despite the fact that she waited to lose the stalker, despite the fact that she left the state; still, she is vulnerable. There is nothing that can completely prepare anyone for all of life’s challenges and interactions with others. When at first it seemed like this story was going to be about the author’s interaction with the bald man, as it turns out, that main point has no real emphasis on this particular incident. Really, the main focus of the essay is this woman’s realization that no matter who prepared you may think you are, no matter how “alert, tolerant, compassionate, or suspicious”, life will always surprise you. There is no way around it; simply being alive is enough to make all of these characteristics meaningless when you get caught up in life.

"Westbury Court"
I found it to be a little more difficult to find the real focus of this essay, but I think what the author is trying to say is that the world around you moves pretty fast, and that it is impossible to control everything that happens. This essay seems, to me, to say that in an instant, things can change drastically - for the better, or for the worse ("I am vulnerable simply because I'm alive"). Also, I think this essay focuses on the fact that if you don't take the time to look around and keep your eyes and ears open, you lose the opportunity to get to know those around you. That perhaps, by being so focused on oneself and what is going on in that individual's life (General Hospital), we miss the bigger picture and the things that are going on around us. Similarly to "Alive", this story also takes us through the incident with the fire in the building, only as a vehicle to get to the main point of the essay. Although the fire takes up a large portion of the text, the true meaning behind it doesn't really have all that much to do with this incident. It could have come from talking about the murders, the burglary, or any other tragedy mentioned in the essay. The author simply chose one episode as a means of conveying a message and getting to the main idea she intended to write about, just like Laurie Lynn Drummond did in "Alive".

Both pieces used very descriptive language in their essays, and wrote in a matter-of-fact, stream-of-conscious type manner. I think writing in this way allowed both authors to tell their stories in an interesting and intimate way. The reader can visualize what is happening, as it is happening in the story. Also, both pieces go through the whole story and then reflect on the events, thus producing the main focus of the essay.

Sunday, September 21, 2008

blog #4

This essay seems to address 3 things. A father's relationship to his past, a daughter's relationship with her father, and a daughter's newfound understanding of her father and his past. As this segmented essay goes on, the white space seems to represent shifts in what that section of the text is about. The first segment focuses on giving some background information about this family, and has a father who is still holding onto his past in Rindheim, and a daughter who doesn't understand her father and why he is so stuck on his "favorite lines". The second segment is mostly about the father and gives insight into his childhood in Rindheim, thus beginning to explain why he says/does/things the things he does in America that the author comments on in the first segment. In the third segment,it seems that the narrator is beginning to understand her father better and is feeling some sympathy for him. She is learning things that she did not know previously and Nazi Germany and the types of things her father and his kin endured during that time. The fourth segment is relatively short, and mainly serves to shed some like on Jewish life and customs before the war, as well as giving a look into the relationship the narrator's mother and father had in Germany. The fifth segment shifts back to the narrator and what she is learning at that moment in the graveyard. It seems that by this point, the father and daughter and comeing to a degree of closeness and understanding not previously seem in the piece, and it also seems that the narrator is learning a great deal, and that her father is healing through his mourning. Finally, in the sixth segment, we are back to learning about the narrator and we see that she now has a much better understanding of the Holocaust and what it entailed for not only her family, but for Jews as a whole. At this point, it seems as though both she and her father have learned and grown from their experience in Germany, and it seems that both have gained from the trip.
Each segment in this piece seems to bring a new level of understanding for the narrator. She goes from knowing very little about the Holocaust and Nazi Germany in the first segment, to having a far greater understanding of both the World War II era and her father by the sixth segment. Each section focuses on a different aspect of the lives of the characters, and they also serve to designate a new realm of understanding for the narrator.

Tuesday, September 16, 2008

Blog 3

I think that both the Montaigne and the Orwell essays are very similar to the contemporary examples of creative nonfiction we have read. Specifically, in the Montaigne essay, the central idea is conveyed through examples and illustrations, his personal calues weigh heavily into the piece, and his personal thoughts, feelings, and ideas drive the work. Orwell's essay is written in a matter-of-fact tone, recounting sequential events that took place on this particular day of the author's life. This essay is very descriptive and discusses inner thoughts, feelings, conflicts, and perceptions of the narrator which no one would know if they were not deemed important enough to include in this piece of writing. What I found particularly interesting about this piece was how much of an influence others had on Orwell's decision to kill the elephant, even though he was against it until the moment came.

All of the elements presented in these two essays seem to have a place in the contemporary creative nonfiction we have read so far in this course. I think as creative nonfiction grew as a genre, I think the styles it is written in and the variety of ways of conveying the messages may have expanded from the time of these two historical examples. Overall, however, I think pieces like these really set up a strong foundation for modern day creative nonfiction. I think a majority of the elements are within these pieces and contemporary works have just expanded upon these formats and this genre of writing.

Sunday, September 14, 2008

blog #2

In addition to the elements of creative nonfiction found in the first 3 essays we read previously, Jamaica Kincaid's essay adds introspection and reflection to the definition of CNF. "Biography of a Dress" is far more reflective than the other works we have read so far, and works toward drawing parallels between the past experience and present knowledge.

From the Bret Lott piece, I see that creative nonfiction is a test. It is something that a writer just has to do (if this is the genre he or she wishes to explore), whether the author feels anyone would be interested in it or not. One must simply put their thoughts, ideas, feelings, etc. out there and allow people to take it for what it is. The truth in creative nonfiction comes from the honesty the author has, for better or for worse, with his or herself. Likewise, the goal of creative nonfiction seems to be to represent oneself truthfully and as you are; not how you think others do, or should perceive you.
I really liked the concept of "the self as a continent, and you its first explorer" (p.272). I think this holds a lot of merit in what I've gathered about creative nonfiction thus far, and I also like this idea as a perspective on life in general.

Tuesday, September 9, 2008

definition of creative non fiction

From what I've gathered, it seems that creative non fiction is:
  • writing based upon personal experience, but perhaps enhanced in some ways
  • covers a multitude of topics
  • has some emotional connection to the author
  • can be similar to fiction writing
  • is descriptive

Monday, September 8, 2008